Showing posts with label art. Show all posts
Showing posts with label art. Show all posts
Monday, December 21, 2015
BOWIE BLACK STAR
A new album is coming in January from David Bowie! The project was announced in Dec with this first single and video for the title track, Black Star. The record will be available in a variety of formats with bonus lithographs. More info at David's site here. Enjoy!
Labels:
art,
black star,
cds,
david bowie,
experimental,
film,
lithograph,
music,
news,
video,
vinyl
Wednesday, August 12, 2015
DAVID SYLVIAN BOOK
A new career-spanning book, Hypergraphia: The Writings of David Sylvian 1980-2014, will be published in early November. From the press release: "Spanning a duration of over thirty years, Hypergraphia includes previously unpublished material, as well as conversations with the influential improvisational guitarist and founding member of the group AMM, Keith Rowe and the ever-insightful writer and musicologist Marcus Boon. The volume includes aspects of Sylvian's own photographic work as well as selections by some of the most reputable and innovative artists working today and its design celebrate the longstanding collaboration between Sylvian and acclaimed designer Chris Bigg (below). English singer-songwriter and musician David Sylvian came to prominence in the late 1970s as the lead vocalist and main songwriter in the group Japan. Their hits included Ghosts and a cover version of I Second That Emotion. His subsequent solo work is described as 'a far-ranging and esoteric career that encompassed not only solo projects but also a series of fascinating collaborative efforts'." Pre-order at AmazonUK and Amazon.
Labels:
art,
art pioneers,
books,
chris bigg,
david sylvian,
design,
japan,
lyrics,
music,
photography,
writing
Friday, March 13, 2015
CALVIN AND HOBBES
New Release: A new exhibit catalog featuring 152 pages of original comic art and commentary by Bill Waterson was released on March 10th by Andrews & McMeel. Based on a 2014 retrospective at Ohio State University, Exploring Calvin and Hobbes also includes interviews, Watterson's original syndicate proposal page, and photographs of the artist's studio. Calvin and Hobbes ran from 1985 to 1995 and set a new standard for writing, art, and artist rights in the field of comic strips. More info at Bud's Art Books and Amazon.
Monday, February 9, 2015
MOTHERSBAUGH TALKS
Mark Mothersbaugh shares some of his early electronic instruments and talks about synths, process, and art.
Sunday, February 8, 2015
DARTH VADER PROJECT
Dov Kelemer and Jo Marks at DKE Toys created an interesting group exhibit about ten years ago. Choosing Darth Vader as a theme for a platform show, they procured 100 prop replicas of the Dark Lord's helmet and invited artists from around the world to contribute their customized designs. The group included many heroes from the Pop Surrealist/Lowbrow movement like Josh Agle (Shag), Gary Baseman, Tim Biskup, Ron English, Paul Frank, Jesse Hernandez, Sun-MinKim, David Horvath, Joe Ledbetter, Tokidoki, Ragnar, Secret Base, and Amanda Visell. The helmets traveled to eight exhibitions between 2007 and 2010. A full-color catalog is available at the project website. Learn more: The Vader Project, LA Weekly, Wired. Enjoy!
Tuesday, January 20, 2015
FEDERICO FELLINI
Happy Birthday to Federico Fellini! Born on this day in 1920, Fellini transitioned through the Italian Neo-Realism movement to revolutionize cinema by freely weaving memory, dream, and fantasy into film narrative. Essential works: La Strada, La Dolce Vita, 8 1/2, Juliet of the Spirits, Amarcord. Below: the director on the set of 8 1/2 (1963). Images by photographer Tazio Secchiaroli.
Labels:
1940s,
1950s,
1960s,
1970s,
8 1/2,
art,
art pioneers,
cinema,
fellini,
film,
italy,
la dolce vita,
la strada,
mastroianni,
movies
Wednesday, December 31, 2014
LOUIS ARMSTRONG
Spend New Years with one of the most important American artists in history. Fans who only remember Louis Armstrong for later-day appearances and tunes like Hello Dolly only have to scratch the surface to discover Satchmo's colossal impact on Jazz as an art form. Armstrong is not remembered for his political ideas, but one only needs to read David Margolick's article in the New York Times to learn about his political stand in 1957 in support of the kids in Little Rock. Winton Marsalis had this to say about Armstrong in Ken Burns Jazz: "Louis Armstrong invented a new style of playing. Louis Armstrong created the coherent solo. Louis Armstrong fused the sound of the Blues with the American popular song. Louis Armstrong extended the range of the trumpet. Louis Armstrong created the melodic and rhythmic vocabulary that all the big bands wrote music out of." There's a lot to explore in his long career! Image below: Cover design for the beautiful art book showcasing Armstrong's collage art, Satchmo: the Wonderful World and Art of Louis Armstrong.
See clips below for some of my favorite performances: Dinah, Hotter Than That, Russian Lullaby. You can also hear New Year's concerts from 1953, 1954, 1962, and 1967 over at Ricky Riccardi's blog here. BBC broadcast of Armstrong's home-recorded tapes here. Louis Armstrong House Museum here. Enjoy! Learn more about Satchmo with these NPR documentaries: Louis Armstrong: The Man and His Music part 1, Revisiting Louis Armstrong in the Context of Civil Rights, Louis Armstrong: The Man and His Music part 2, Pops: Louis Armstrong in His Own Words, review of Mosaic's Decca Sessions box set, Louis Armstrong: the Singer, Louis Armstrong: the Trumpeter. Suggested reading: Pops: A Life of Louis Armstrong, Satchmo: the Genius of Louis Armstrong. Suggested CDs: Hot Fives and Sevens, Satchmo at Symphony Hall, Plays WC Handy, Complete Decca Session 1935-1946, Columbia & RCA Live Recordings with the All-Stars, Satch Plays Fats.
See clips below for some of my favorite performances: Dinah, Hotter Than That, Russian Lullaby. You can also hear New Year's concerts from 1953, 1954, 1962, and 1967 over at Ricky Riccardi's blog here. BBC broadcast of Armstrong's home-recorded tapes here. Louis Armstrong House Museum here. Enjoy! Learn more about Satchmo with these NPR documentaries: Louis Armstrong: The Man and His Music part 1, Revisiting Louis Armstrong in the Context of Civil Rights, Louis Armstrong: The Man and His Music part 2, Pops: Louis Armstrong in His Own Words, review of Mosaic's Decca Sessions box set, Louis Armstrong: the Singer, Louis Armstrong: the Trumpeter. Suggested reading: Pops: A Life of Louis Armstrong, Satchmo: the Genius of Louis Armstrong. Suggested CDs: Hot Fives and Sevens, Satchmo at Symphony Hall, Plays WC Handy, Complete Decca Session 1935-1946, Columbia & RCA Live Recordings with the All-Stars, Satch Plays Fats.
Labels:
art,
books,
cds,
collage,
gary giddins,
jazz,
louis armstrong,
mosaic,
music,
satchmo
Tuesday, December 16, 2014
WASSILY KANDINSKY
Happy Birthday to Wassily (Vasily) Kandinsky. The celebrated Russian painter and innovator was born on this day in 1866. Kandinsky's work went through an interesting transformation between the turn of the 20th Century and the 1920s, when he moved away from representational imagery to explore Constructivist and Suprematist ideas to create early abstractions using delineated shapes and overlapping planes. His interest in expression brought him to the Bauhaus in 1922, where he explored the psychological and spiritual effects of colors and forms. According to an article in the Telegraph, Kandinsky apparently had Synaethesia, a condition that enables a person to experience sounds, colors, and words with multiple senses at the same time. You can see a timeline of Kandinsky's work at the Guggenheim here. Image below: Composition 8 (1923). Learn more: Painting Music (NY Times), Birthday tribute at the Independent, Bauhaus design at The Met, The Bauhaus UNESCO World Heritage Sites here, Art at Bauhaus.
Saturday, December 13, 2014
STARN TWINS MTA
Get a tour of the new South Ferry subway station in Manhattan designed by artists Doug and Mike Starn. In this video by the Arts for Transit MTA program, the Starn Twins transform the space using their trademark experimental photography and sculptural elements to evoke the city's natural and historical identity. Enjoy! Learn more at the Stan Twins website here.
Labels:
art,
experimental,
MTA,
nyc,
photography,
sculpture,
south ferry,
starn twins,
subway
Friday, December 12, 2014
JOHN CAGE
John Cage talks about silence and his love of sound, particularly the unpredictable sound of traffic on sixth avenue.
Labels:
art,
interview,
john cage,
kant,
modern art,
music,
nyc,
philosophy,
sound
Wednesday, December 10, 2014
MOMA ON MUSIC
A new exhibit opened at the Museum of Modern Art in NYC in November that focuses on the aesthetic connections between music and visual art and design. The scope of the collection is quite impressive, spanning designs for sound equipment, live hall spaces, sheet music, commercial design and graphics, as well as instruments themselves. Making Music Modern: Design for Ear and Eye was curated by the Department of Architecture and Design and will be up through November 1, 2015. Official description from MOMA: "Music and design- art forms that share aesthetics of rhythm,
tonality, harmony, interaction, and improvisation- have long had a close
affinity, perhaps never more so than during the 20th century. Radical design
and technological innovations, from the LP to the iPod and from the transistor
radio to the Stratocaster, have profoundly altered our sense of how music can
be performed, heard, distributed, and visualized. Avant-garde designers- among
them Charles Rennie Mackintosh, Lilly Reich, Saul Bass, Jørn Utzon, and Daniel
Libeskind- have pushed the boundaries of their design work in tandem with the
music of their time. Drawn entirely from the Museum’s collection, Making Music
Modern gathers designs for auditoriums, instruments, and equipment for
listening to music, along with posters, record sleeves, sheet music, and
animation. The exhibition examines alternative music cultures of the early 20th
century, the rise of radio during the interwar period, how design shaped the
“cool” aesthetic of midcentury jazz and hi-fidelity culture, and its role in
countercultural music scenes from pop to punk, and later 20th-century design
explorations at the intersection of art, technology, and perception." More details here. As a music fan and musician, I hope to make it to the exhibit. I image they included a number of graphic scores, which I'd love to see up close. And as a record collector, it must be thrilling to see the various designs for LP jackets and players. Promo image below: Radio by Hiroshi Ohchi, 1954. Ohchi (2008-1974) was a prominent designer and art director of IDEA magazine. Related posts: my visit to SFMOMA to see the Dieter Rams design show here, 8-Track Museum, Vintage Vinyl, London HMV.
Labels:
architecture,
art,
design,
dieter rams,
exhibit,
illustration,
instruments,
iPod,
modern art,
moma,
music,
nyc,
poster,
punk,
radio,
records,
saul bass,
sound,
stereo,
vinyl
Saturday, December 6, 2014
JOHN LENNON ART BOOK
New Release: Fans of John Lennon and The Beatles may be interested in a new book called John Lennon: The Collected Artwork. Compiled by Scott Gutterman, writer and director of the Neu Gallery, and Yoko Ono, the project features familiar and obscure visual works by Lennon that include early childhood cartoons, illustrations, lithographs, and experimental images. Much of Lennon's work has been over-saturated, particularly the cover image, but the book will include twenty-five pieces that have never been published before. Clocking in at 204 pages, The Collected Artwork will be published by Insight Editions on Dec 23rd (US date). From Amazon: "Over the course of John Lennon’s career, his work as an
artist expressed the societal themes that touched his life. Until now, little
of this work has been seen in one place. For the first time, John Lennon: The
Collected Artwork offers a captivating history of Lennon’s visionary art, from
his early childhood to his untimely death in 1980. Lennon’s artwork predated his success with the Beatles and
remained a passion throughout his years as a music legend. During his lifetime,
he produced numerous series of sketches and lithographs, which were published
starting in the early 1960s. Often surreal and composed through a method of
free association, his drawings from this period were widely considered some of
the finest interpretive artworks of the era. In 1969, Lennon began exhibiting selected drawings from a
series entitled Bag One. This array was wildly popular and frequently censored
due to its overt eroticism. His peace-themed sketches were elevated through
their use in antiwar movements, beginning in the 1970s and continuing to the
present day. Capturing his emotional, political, and imaginative energy,
this lavishly produced collection serves as a timeless record of John Lennon’s
creative spirit." AmazonUK link here.
Tuesday, December 2, 2014
DAVID BYRNE MOVES
We continue our spotlight on David Byrne today with two videos that feature his interest in bringing strong elements of movement to his music. Byrne's career has included ties to modern dance, perhaps most notably with his compositions for The Knee Plays (Robert Wilson's experimental opera with Byrne, Philip Glass, and Gavin Bryars), and The Catherine Wheel with Twyla Tharp. Mainstream audiences got a glimpse of Byrne's own quirky movement choices in the official video for Once in a Lifetime (1980), the classic Talking Heads track made in collaboration with Brian Eno. The piece was co-directed by performer and choreographer Toni Basil (Antonia Christina Basilotta), who also choreographed Crosseyed and Painless, David Bowie and Bette Midler tours, as well as films like American Graffiti and That Thing You Do. Once in a Lifetime rose the bar for video art in the 1980s and is exhibited at the Museum of Modern Art. Post continues below.
David Byrne re-explored his work with Brian Eno for a 2008-2009 performance tour, which included the integration of modern dance by Noemie Lafrance, Annie B. Parson, Sonya Robbins, and Layla Childs. The production was recorded on film by David Hillman Curtis and released on DVD/Blu-ray in 2011. One of the most exciting sequences (below) is their rendition of Houses in Motion. In his 2011 interview with Helen Jack (The Quietus), Byrne said, "Well, in talking with the choreographers we all realised that
it was really important to integrate what they were doing with the dancers with
the rest of us. So in rehearsals they first worked with the dancers and then
there was time spent to bring the singers in, to involve the three singers, to
impart some of their movement and then me – to see how much I could be involved
with what they were doing. And as the tour went on, I realised, for example,
that Stephen [one of the dancers] plays guitar and sings so I thought OK we're
going to add you to the band on some numbers and then we had the dancers
singing on one number. We can blur the lines between what 'department' you're
in.
"Although I'd seen these choreographers work before I
realised that the world of contemporary dance is a kind of rarefied world which
tends to have a very small audience. But we discovered that putting some of
that stuff in more of a pop music context changed it and made it more
accessible, made it seem a little less rarefied and took a way a bit of the
fear factor, the 'I don't know what this is about.' It just kind of makes it
all mush together and everybody goes 'Oh! This is a music concert, I understand
that.' but as far as the feeling of humour mixed with dread and the kind of
light and dark and balancing those elements - [long pause] I think we were just
kind of lucky that way – the choreographers, dancers, band everybody kinda
sensed where that balance might be – not to go into complete silliness and not
to let it go too dark for too long." Related post: David Byrne St Vincent.
Friday, November 28, 2014
ATOMIC ART
The impact of The Bomb on popular culture in the post-war era was a strange cocktail of fear and fascination. The 1982 documentary film The Atomic Cafe illustrated a trend in the US to transform this weapon of mass destruction into a cartoony, Sci-Fi mascot. Diners enjoyed Atomic Burgers and shakes, and the space-age fashion designers in the 1960s popularized new styles born from a fear of radiation. The influence of Cardin, Rabanne, and Courreges is even felt today in Retro Futurism. But while we enjoy the creative reactions to the Atomic Age and Cold War, it's important to keep a weary eye on the dark realities behind the artifice.
Japanese artist Isao Hashimoto created a conceptual piece in 2003 that presents a running timeline of every nuclear bomb explosion on earth between 1945 and 1998. Hashimoto's "1945-1998" (also called "2053" based on the number of bombs used/tested) takes the form of a digital world map, where each detonation is represented by colors and sounds arranged by country. The piece begins slowly as the timeline ticks forward, but soon the bleeps build to a cohesive pattern of sound reminiscent of early Kraftwerk or Yellow Magic Orchestra (YMO). To transform such data into an art experience is interesting- and even entertaining- but Hashimoto also succeeded in sending an ominous message. We might look back on the Atomic Cafe culture as a quaint period in our naive evolution since WWII, but viewers shouldn't be fooled by a false sense of security. Maybe Ian Fleming's warning of a "little man with a heavy suitcase" has thankfully not come true (ref: Moonraker/1955), but the radiation from our own nuclear testing (and power plants) is all too real. Fukushima may seem like a world away to many readers, but the crisis in Japan continues to unfold with dire details. More about Hashimoto at ctbto and Wired. Below: "1945-1998" by Isao Hashimoto.
Japanese artist Isao Hashimoto created a conceptual piece in 2003 that presents a running timeline of every nuclear bomb explosion on earth between 1945 and 1998. Hashimoto's "1945-1998" (also called "2053" based on the number of bombs used/tested) takes the form of a digital world map, where each detonation is represented by colors and sounds arranged by country. The piece begins slowly as the timeline ticks forward, but soon the bleeps build to a cohesive pattern of sound reminiscent of early Kraftwerk or Yellow Magic Orchestra (YMO). To transform such data into an art experience is interesting- and even entertaining- but Hashimoto also succeeded in sending an ominous message. We might look back on the Atomic Cafe culture as a quaint period in our naive evolution since WWII, but viewers shouldn't be fooled by a false sense of security. Maybe Ian Fleming's warning of a "little man with a heavy suitcase" has thankfully not come true (ref: Moonraker/1955), but the radiation from our own nuclear testing (and power plants) is all too real. Fukushima may seem like a world away to many readers, but the crisis in Japan continues to unfold with dire details. More about Hashimoto at ctbto and Wired. Below: "1945-1998" by Isao Hashimoto.
The music group DEVO satirized many elements of post-war culture and values in the 1980s. Readers might recall the leak of president Ronald Reagan's 1984 ill-conceived joke on NPR: "We begin bombing in five minutes." Cold War anxiety was alive and well! DEVO's iconic radiation outfit is available on their with the ad: "Protect yourself from dangerous human elements and stay cool during meltdowns in this official DEVO yellow suit." If you're asking why this parody is still relevant, these T-shirts (top picture) were available from the official Museum of Nuclear Science recently. See also the Atomic Testing Museum.
Below: A recent Kraftwerk performance of "Radioactivity". The song was originally released on their 1975 album Radio-Activitivity (Radio-Aktivität). They have re-recorded it a number of times over the years and their Japan performances since the 2011 earthquake have included Fukushima in the list of nuclear disasters. Founding member Ralf Hütter has been leading a new line-up of Kraftwerk on a number of world tours to present 3D concerts at major museums like MOMA and the Tate.
Learn more at my Spy Vibe blog: Cold War Comics, Atomic Platters by Bear Family, Fear and Fashion. Above: Fireball Atomic Candy. This spicy jawbreaker was introduced to children in 1954.
Labels:
1950s,
1960s,
1970s,
1980s,
art,
atomic,
atomic cafe,
col war,
conceptual art,
devo,
experimental,
isao hashimoto,
jason whiton,
kraftwerk,
moma,
music,
spy vibe,
tate museum
Thursday, November 27, 2014
DEVO THANKSGIVING
Welcome to Art Pioneers! As a writer/artist, I'm often inspired by the work of innovators like Laurie Anderson, David Bowie, David Byrne, Starn Twins, and many other creators from the visual and performing arts. Art Pioneers will spotlight old and new projects each day, and will feature original art and interviews as I can fit them into my schedule. Below: I created these DEVO-inspired cards for Thanksgiving, which feature vintage card designs and the band's famous energy domes. DEVO has always used their unique cartoony aesthetics to expose the absurdities, cruelty and hypocrisy in society. Having an outsider view myself to many holiday traditions at this point, as well as being a pescetarian, I couldn't help twist this traditional iconography. Special thanks to the more than 100 DEVO pals and fans of Mark Mothersbaugh's artwork on Facebook for embracing and sharing these images. Enjoy and come back soon!
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